Steve Aoki is Pillowface

aokipillowfacethumb.jpgSo just in case you happened to miss my comments on the 2007 Neighborhood Festival that took place last September, in short, Steve Aoki blew me away. Taking into account that this man is the king of the L.A. electro scene right now and that he is the mastermind behind the Neighborhood Fest, let’s see how his new mix-album titled “Pillowface and His Airplane Chronicles” weighs in.

Beginning, please find me another electro album that opens with a punk song better than this. You can’t. I say that because track #1, Refused’s “New Noise”, is and has been for quite some time my favorite punk song ever, and because I’ve never heard electro records open with anything but electro. That being said, this is an “indie/electro” album Aoki quickly on to Erol Alkan’s “Durrr Durr Durrrrrr” edit of Justice’s “Waters of Nazareth”.

About half way through track #2 comes the portion of the album that sets it apart from other mixtapes: the guest drops. While other mixes might throw in some creative fading or original remixes by the DJ at hand, Aoki has been able to get some of the biggest up-and-comers (as well as established individuals) to rhyme on top of the songs in the mix. The artists with guest drops on 14 of the 17 tracks include Spank Rock, Amanda Blank, Santogold, Kid Sister, Har Mar Superstar, Uffie, Pase Rock, Mickey Avalon, Todd Fink of The Faint, and Steve Bays of Hot Hot Heat. As Steve has put it, “so when you listen to it, it’s like a party with all these different people.”

As for the progression of the album, the mixing of the tracks isn’t anything special. That being said, the song selection is spot on. One point that Aoki made in an interview was that while there are various talents that DJs can bring to the table, “at the end of the day, it’s the songs you want to hear… the most important part of DJing is selecting records.” Well said sir. The mood or tone of the mix fluctuates throughout, making for a solid hour of indie/electro that flows very well. Of the various remixes to be found in the mix, MSTRKRFT shows face a couple times just as Erol Alkan does. Weird Science, the production team made up of Aoki and partner-in-crime Blake Miller also pops up nicely remixing Peaches’ “Boys Wanna Be Her” and Bloc Party’s “Helicopter”.

All in all, Steve Aoki and friends have made a mix album that certainly rises above the ranks of bootleg live sets. Through the many guest drop contributions and Aoki’s unearthly ability to gauge when to drop the heavy hitters and when to pull back for a bit so that fatigue doesn’t set in, “Pillowface and His Airplane Chronicles” is a solid effort that succeeds as a standalone album to be played both in the clubs and in the privacy of your home.

Extra stuff on Steve Aoki:

Tracklist:

  1. Refused: “New Noise”
  2. Justice: “Waters of Nazareth (Erol Alkan Remix)” [ft. Pase Rock]
  3. Does It Offend You, Yeah?: “We Are Rockstars” [ft. Naeem (MC Spank Rock)]
  4. Services: “Element of Danger (MSTRKRFT Remix)” [ft. Har Mar Superstar]
  5. Goose: “Bring It On” [ft. Todd from the Faint]
  6. Larry Tee & Princess Superstar: “Licky (Herve Goes Low Remix) [ft. Santogold]
  7. Green Velvet: “Shake and Pop” [ft. Kid Sister]
  8. Klaxons: “Gravity’s Rainbow (Soulwax Remix)
  9. The Mystery Jets: “The Boy Who Ran Away (Riton Re-Dub)
  10. Peaches: “Boys Wanna Be Her (Weird Science Remix) [ft. Thunderheist]
  11. Datarock: “Fa-Fa-Fa” [ft. Steve from Hot Hot Heat]
  12. Yelle: “Je Veux Te Voir”
  13. Franz Ferdinand: “Do You Want To (Erol Alkan’s Glam Racket Remix)” [ft. Amanda Blank]
  14. Kim (from the Presets): “Wet N Wild” [ft. Mickey Avalon]
  15. Bloc Party: “Helicopter (Weird Science Remix)”
  16. Justice: “D.A.N.C.E. (MSTRKRFT Remix)”
  17. Scanners: “Low Life (Teenagers Remix)” [ft. Uffie]

Neighborhood Festival 2007

kid sister
Melisa Young aka Kid Sister

I have never been to a concert/festival like the Neighborhood Festival, but I can assuredly say that I will go again next year. Here’s the premise: Steve Aoki puts together this indie festival of artists on his label and his friends who just put on amazing shows. I’ll just give a rundown of the artists I saw and listened/danced/rocked/jumped to.

Starting off the day (around 3:30) was Funeral Party. I’ve never heard of them before, but they are the epitome of an indie scene punk band, complete with synths and a great bassist. They have great style and put on a great show. For opener, they started things off on the right foot.

Next up were Andre Legacy and Dirt Nasty. Two rappers who couldn’t write a serious verse if their lives depended on it. Then again, no one was in the mood to listen to some hardcore deep rap, so they fit in perfectly. Hilarious and off-color.

I believe that Squeak E Clean followed. Again, an artist (actually a DJ) who I’ve never heard of. Simply stated, starting off with MIA is a sure way to my heart. Following with some Justice, Daft Punk, Klaxons, Hot Chip, and other great electro kept me all ears throughout his entire set. First real DJ set I’ve watched and paid attention to, it was a great mix.

It got confusing here because I thought that Guns ‘n Bombs was up next, but only Johnny Love came out and started to spin some heavy noise glitch stuff when something went wrong with the needles. They weren’t playing something right and when he’d fade to one of the tables, it’d cut out. Odd, annoying.

Har Mar Superstar. What a show. I’m not saying I liked it, I’m still not sure. It was outlandish to say the least. I’ll leave it at that.

Here’s where the good stuff comes in (read: the DJs/rappers/artists who I’m familiar with). Flosstradamus came out and the crowds gathered (it was around 5/6ish). How they mix electro with hip hop and mainstream tech house is beyond me, but it works perfectly and the crowd loves it. I forget what the mix was, but they just went straight into Big Pimpin’ from an electro song. WHO DOES THAT? Pure genius.

So J2K stayed on the decks and Autobot went out onstage to meet Kid Sister who put on an amazing performance. Kid Sister is an amazing rapper and she puts on an incredible show wherever she goes (at least thats what I’ve read and seen). Following in the footsteps of MIA (as many female rappers are right now), the energy in her shows is so high and she’s all over the whole stage the entire time.

Moving away from hip hop/rap, we go to Crystal Castles. I don’t know who did the lineup, but I guess they had to throw them in somewhere. This 8-bit massacre tore the crowd to shreds. Probably the most hardcore artist here, even though their genre/classification falls somewhere in-between electropop and 8-bit industrial.

Back to the DJs. Steve Aoki (the creator of all of this) was up next. Again, mixing the electro with mainstream tech and some Yo Majesty! (I’m pretty sure it was Aoki who threw them in there). Somewhere amid Daft Punk’s Television Rules the Nation and Steam Machine, Aoki become possesed by some DJ gods and decided to stage dive into the crowd, something I’ve never seen a DJ do. It was amazing, he got passed over me, and like a good crowd, we got him back up onstage just in time for the next song to come in. Incredible. And as a side note, it was pretty cool seeing all of the artists playing at the festival come onstage for Aoki just to show their support for him.

Wrapping up the DJ set was DJ AM who kept the electro going for his 40 minutes. Good mix, not too eventful though.

And the heavy hitters are now ready to perform. Chromeo was next to take the stage openning with the intro to their latest album, it was obvious that this would be the funkiest performance of the night. They kept the crowd dancing for their entire set and it was sweet when we all started chanting “2 step, 2 step, 2 step” for the best song: Fancy Footwork. It took a couple more songs to get there, but they finally closed with it, and every just went insane. I’ve never really been in a crowd where the intention is dancing, not moshing. It’s a nice change of pace.

Wrapping up my night (I left a bit early) was a knockout lineup of Spank Rock, Amanda Blank, and Santogold. Amanda Blank and Santogold are two girls who are also following in the path the MIA has laid down for indie female rappers. Spank Rock got big at the same time as MIA, so I figure that they are equals in terms of innovative sounds. Yet another great set that kept the crowd going until their 40 minutes were up.

Mickey Avalon took the stage next, but I had had enough. My feet were killing me, and Avalon isn’t really up my alley of musical tastes. I decided to call it a night, it was time.

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