Coachella 2007: Björk

Bjork HeadshotMany people have called David Bowie a chameleon, but he is nothing compared to Björk. She has gone through many transformations both physically (how she looks) and sonically (how her music sounds) since her solo debut in 1993 with Debut. Being from Reykjavík, Iceland, her accent and tonal voice goes against nearly all of western culture’s pop sounds. Here is the progression of her sound though each successive album:

  • Debut: A very expansive album, probably more-so than any of her following albums. It contains a mix of dance, earthy, new age, beat-centered songs. The beat-driven aspect is a vein or theme that does run through all of her music.
  • Post: More abstract. Just listening to the opening tracks “Army of Me” makes it obvious where she wanted to go with this new album (following the platinum Debut.) Possibly a bit darker… just a progression. Björk describes it as being more “extreme”.
  • Homogenic: My favorite album. This album is definitely in my top 10 of all time. The beats are much more pronounced, scattered, and massive. Homogenic just has an epic sound to it. The song Pluto (2nd to last track) has become the song for her to perform and/or close with. Its griding and distorted synths, vocals, and beats make it raw and brutal. “Emotionally, this album is about hitting rock bottom and earning your way up. So it’s the darkest album I’ve done emotionally, but it’s got a lot of hope.”
  • Vespertine: Much softer. The sound that characterizes Vespertine is very angelic. “Vespertine is sort of a winter album for me. I think Homogenic was very summer, very hot, burning desert.” It has a light sound that seems to float away.
  • Medúlla: When it was released, Medúlla received quite a bit of backlash. It was Bjork going against what her fans had grown to know and love: beats and synths. It didn’t matter whether hard or soft, but beats and synths combined with her other-worldly vocals are Björk. Medúlla has nothing other than human voices on it. Being fairly new to Björk when Medúlla came out, I enjoyed the sound. It is her most different album so far. It pushes our voices as instruments to their limits.
  • Volta: Yet to be released, the sound of Volta has been revealed only through interviews with Björk and a leaked track titled “Earth Intruders”. Volta is said to be very brass centered. Björk collaborated with quite a few artists for Volta, including Timbaland. We’ll see how it turns out, but “Earth Intruders” is amazing to say the least.

So that basically wraps up Björk as an ever changing artist. Just go look at some pictures of her, and you will realize what I mean when I say that she is a chameleon. She is truely a musical genius who has remained relevant through the fickle tastes of pop culture that are constantly changing.

Coachella 2007: Rage Against the Machine

Rage Against the Machine Band PictureAnyone remember one of the biggest political bands of all time? Rage Against the Machine left the scene in 2000 due to Zach de la Rocha’s (lead singer) announcement that he didn’t feel that he could stay honest to himself and be in the band. After the breakup, the rest of the band (Tom Morello, Tim Commerford, and Brad Wilk) joined together with former Soundgarden vocalist Chris Cornell to form Audioslave (which recently broke up.) Forgetting their complicated history, Rage is reuniting to play at Coachella and three more shows as a part of the Rock the Bells concert in New York and Northern/Southern California later this year.Rage plays amazing funk metal infused with very politically charged lyrics. Everyone of their albums is sure to punch you in the face and leave you on the floor bleeding. Tom Morello’s strong guitar sounds go hand in hand with de la Rocha’s emphatic style of writing and execution. Another characteristic of Rage’s music (common to funk metal) is the way that they push the bass to the front many times. It’s very heavy music with a message.I have been in love with Rage for about five or six years now. Yes, this means that I wasn’t into them while they were a band (I was only in 3rd/4th grade when they broke up), but their music hasn’t diminished in meaning as time has passed. If you want to check out what they sound like, I recommend checking out the songs Calm Like a Bomb, Bullet in the Head, and Killing in the Name. If you don’t like those, oh well, those are just my favorite songs. Read more to see the video for Sleep Now in the Fire. Rage Against the Machine will be the headliner for Sunday of Coachella.

Alanis Morissette’s Humps better than BEP’s

Why is it that this spoof/cover/mockery of the Black Eyed Pea’s My Humps by Alanis Morissette far better than the original? Yes, the YouTube video that has garnered over 4 million views so far is very funny. But as Adam Polselli points out, it’s the song that really shines here.

The fact that she has completely redone the song, and not just dubbed over the music, emphasizes the stupidity of the lyrics. Watching/hearing this cover makes you wonder how the original version was able to peak at #3 on the Billboard Hot 100. Leave it to Miss Ironic to shove the materialistic nature of our society in our faces…

Justice – Waters of Nazareth

Justice - Waters of NazarethIt really isn’t fair. Chopped up samples that have been distorted and modulated to no end shouldn’t sound this good. Honestly, they shouldn’t be able to get away with this. Enough of the complaining, the point is: Justice hits you hard… in the face. From the moment you press play, you get a noise that makes you wish that you had bought another stereo with just a few more watts; you can’t ever get the bass heavy enough or the volume loud enough.

So, what genre does this three track EP fall into? My personal analysis is that it is a fusion of some kind of electro-clash, industrial, and house. It seems that every synth/sample has been run through some kind of distorting filter that makes it scream with fury, every drum line kicks a little more than anything before, and that repetition is the name of the game. As with many of the artists signed to the Ed Banger record label, Daft Punk seems an obvious comparison. Both are original, progressive, a duo, French, and insanely popular.

Whether this quick claim to fame through an EP is founded in any way is yet to be seen. But please don’t get me wrong; even with only 3 tracks, Justice won’t be leaving my playlists anytime soon.

Justice – Phantom Part I