Steve Aoki is Pillowface

aokipillowfacethumb.jpgSo just in case you happened to miss my comments on the 2007 Neighborhood Festival that took place last September, in short, Steve Aoki blew me away. Taking into account that this man is the king of the L.A. electro scene right now and that he is the mastermind behind the Neighborhood Fest, let’s see how his new mix-album titled “Pillowface and His Airplane Chronicles” weighs in.

Beginning, please find me another electro album that opens with a punk song better than this. You can’t. I say that because track #1, Refused’s “New Noise”, is and has been for quite some time my favorite punk song ever, and because I’ve never heard electro records open with anything but electro. That being said, this is an “indie/electro” album Aoki quickly on to Erol Alkan’s “Durrr Durr Durrrrrr” edit of Justice’s “Waters of Nazareth”.

About half way through track #2 comes the portion of the album that sets it apart from other mixtapes: the guest drops. While other mixes might throw in some creative fading or original remixes by the DJ at hand, Aoki has been able to get some of the biggest up-and-comers (as well as established individuals) to rhyme on top of the songs in the mix. The artists with guest drops on 14 of the 17 tracks include Spank Rock, Amanda Blank, Santogold, Kid Sister, Har Mar Superstar, Uffie, Pase Rock, Mickey Avalon, Todd Fink of The Faint, and Steve Bays of Hot Hot Heat. As Steve has put it, “so when you listen to it, it’s like a party with all these different people.”

As for the progression of the album, the mixing of the tracks isn’t anything special. That being said, the song selection is spot on. One point that Aoki made in an interview was that while there are various talents that DJs can bring to the table, “at the end of the day, it’s the songs you want to hear… the most important part of DJing is selecting records.” Well said sir. The mood or tone of the mix fluctuates throughout, making for a solid hour of indie/electro that flows very well. Of the various remixes to be found in the mix, MSTRKRFT shows face a couple times just as Erol Alkan does. Weird Science, the production team made up of Aoki and partner-in-crime Blake Miller also pops up nicely remixing Peaches’ “Boys Wanna Be Her” and Bloc Party’s “Helicopter”.

All in all, Steve Aoki and friends have made a mix album that certainly rises above the ranks of bootleg live sets. Through the many guest drop contributions and Aoki’s unearthly ability to gauge when to drop the heavy hitters and when to pull back for a bit so that fatigue doesn’t set in, “Pillowface and His Airplane Chronicles” is a solid effort that succeeds as a standalone album to be played both in the clubs and in the privacy of your home.

Extra stuff on Steve Aoki:

Tracklist:

  1. Refused: “New Noise”
  2. Justice: “Waters of Nazareth (Erol Alkan Remix)” [ft. Pase Rock]
  3. Does It Offend You, Yeah?: “We Are Rockstars” [ft. Naeem (MC Spank Rock)]
  4. Services: “Element of Danger (MSTRKRFT Remix)” [ft. Har Mar Superstar]
  5. Goose: “Bring It On” [ft. Todd from the Faint]
  6. Larry Tee & Princess Superstar: “Licky (Herve Goes Low Remix) [ft. Santogold]
  7. Green Velvet: “Shake and Pop” [ft. Kid Sister]
  8. Klaxons: “Gravity’s Rainbow (Soulwax Remix)
  9. The Mystery Jets: “The Boy Who Ran Away (Riton Re-Dub)
  10. Peaches: “Boys Wanna Be Her (Weird Science Remix) [ft. Thunderheist]
  11. Datarock: “Fa-Fa-Fa” [ft. Steve from Hot Hot Heat]
  12. Yelle: “Je Veux Te Voir”
  13. Franz Ferdinand: “Do You Want To (Erol Alkan’s Glam Racket Remix)” [ft. Amanda Blank]
  14. Kim (from the Presets): “Wet N Wild” [ft. Mickey Avalon]
  15. Bloc Party: “Helicopter (Weird Science Remix)”
  16. Justice: “D.A.N.C.E. (MSTRKRFT Remix)”
  17. Scanners: “Low Life (Teenagers Remix)” [ft. Uffie]

Bill Gates’ 2008 CES keynote

billgatesretires.jpgI, probably like everyone else in the world, find picturing Microsoft without Bill Gates rather hard. Bill Gates is the face of Microsoft even more than Steve Jobs is the face of Apple (the iPod is Apple’s face). But as iconic as one of the richest persons in the world is, that doesn’t change the fact that Bill Gates will be stepping down from his position as CEO of Microsoft in July to take on the full-time responsibility that the Bill and Melinda Gates Foundation demands.

As has been tradition for the past few years, the kickoff of the Consumer Electronics Show (CES) is begun with Bill Gates giving the opening keynote. Tonight marks the last CES keynote Bill will give, and his intro to the address was very fitting. Here is a link to the video that was shown addressing what Bill’s last day at Microsoft might be like:

Bill Gates’ Last Day At Microsoft

Can anyone say cameo? And talk about getting your money’s worth. I didn’t count, but there are probably around 10-15 semi/full-blown famous people in that 6 minutes clip. Regardless of the fact that Bill can obviously get anyone in the world to do anything for him, this video was a nice piece of comedy that shined above what usually amounts to loads of geekery at events like CES. It’s sad to see such an outstanding innovator leave the industry, but there is little doubt in my mind that the work that he will do with his and Melinda’s foundation will rival what he did at Microsoft in terms of positive impact on the world as a whole.

As for the rest of the keynote, he and his Microsoft helpers did announce some interesting technologies, most importantly the broadcasting of the 2008 Beijing Summer Olympics online with their Silverlight technology, but nothing really held up to the intro video. Even the Guitar Hero with Slash finale, it all seemed kind of lackluster when compared to the fact that an era of technology leadership is ending and that another is about to begin.

Addressing the CES conference, I probably won’t be covering any of it unless some product really jumps out at me. As for the Macworld conference, I’ll probably be all over that (even though I can’t go this year).

Never Mind the Buzzcocks

nevermindthebuzzcocks.jpgNow that we’re truly feeling the effects of the writer’s strike, unless you’re willing to give up TV or start watching horrible shows, it’s time to find new shows for your viewing pleasure. Never Mind the Buzzcocks (NMTB) is one such show. The only problem is that it’s on BBC2, so I have to watch it on YouTube.

The show’s current incarnation consists of host Simon Amstell, team leaders Phill Jupitus and Bill Bailey, and four other guest contestants (two on each team). Guests are usually consist of current indie music stars, past has-been music/tv/movie stars, or and other people who can be made fun of. While this sounds like a game show, think of Whose Line Is It Anyway. That’s how gameshowy NMTB is.

There isn’t much to NMTB, and all I can say about it is that it consistently provides for the funniest half hours of my day. Simon Amstell teamed up with the two regulars play off of each other and the guests excellently. Just picture them making fun of Amy Winehouse in her semi-inebriated state not completely aware of what’s going on around her. Need a taste? Here’s a collection of the best moments of the episode she was on:

http://www.youtube.com/watch?v=ihFzr8QPfOg

If you don’t find that funny, I’m sorry for wasting your time and that you don’t have a good sense of humor. I can’t say enough about this show. It’s funny, teaches me about good music, and gives me indie cred… Indie cred is always nice, right?