And I thought Daft Punk couldn’t live up to the hype…

Daft Punk Alive ‘07 T-Shirt Logo

I almost feel bad writing this, almost sorry for you. But I also feel that I would be doing you a disservice by not letting you in on the most revolutionary concert I have ever been to. I can honestly say that the full 5 hours that I (and a friend) spent at the LA Sports Arena were well spent. Here is a rundown of the experience (because it was an experience).

We arrived at the arena at around 6:15 pm, and we were definitely surprized by the number of people who were already in line. It seemed like we had shown up for the wrong concert. There was only about 20 people in the Loge/Concourse line (our line) and probably about 40 in the Floor line (not our line). I know that the show didn’t start until 8, but I honestly thought that there would be way more people.

So we go in around 7 when the doors opened and got prime seats in the Loge section with barely anyone around us. We sat around ’till 9:15 when SebastiAn and Kavinsky started spinning. There was a fair amount of people inside now, but it was clear that most people weren’t too interested in the openers. I need to say that I love SebastiAn, and I am glad that they played more of his material than Kavinsky’s (not my favorite).

Oddly, I noticed that I actually recognized a fair ammount of the songs that were mixed between their two sets (it was a DJ set to open and fill time between Ratatat and Daft Punk). Here’s what I recognized:

  • Justice – D.A.N.C.E., Waters of Nazareth (Justice Remix), Let There Be Light (DJ Funk’s Bounce Dat Ass Remix), Phantom Pt. II, and Genesis.
  • Uffie – Ready To Uff
  • The Prodigy – Smack My Bitch Up
  • SebastiAn – RossRossRoss, Head/Off, Walkman, Killing In The Name (SebastiAn Remix), Greel
  • Kavinsky – (I don’t know the song, but it was obviously his, he has a distinct style)
  • Busy P – Rainbow Man

Let me say that the music was up so loud that every one of SebastiAn’s songs hit like a knockout punch. His Killing In The Name remix was a song that my friend and I wanted to hear, and the crowd went insane when it was played near the end of the set (obviously Coachella kids in the crowd). Sadly, the remix ends before the “FUCK YOU, I WONT DO WHAT YOU TELL ME… MOTHERFUCKERRRRR!” part… I found the number of Justice songs being played to be kind of odd, but I love Justice, so it was welcome; I don’t have a problem with inter-label promotion at all.

On to the actual live performances. Ratatat obviously had less stage space than Daft did (that pyramid doesn’t appear out of thin air), but they don’t really need much of a stage. Their music is amazing at that high of a volume. The bass really hits and the guitars whine all night long. Their DVD playing behind them was kind of cool, but their music is so unique that it blows me away every time I hear it. Great set. SebastiAn and Kavinsky spun again, and our attention was split between the DJs and the flashing test lights emmitting from behind the huge curtain pulled around the pyramid.

Finally the lights went out and the place erupted. Daft Punk opened just as they did in Coachella two years ago with the “HHUUMMAANN RROOBBOOTT” slowly gaining pace to preface Robot Rock. Much of what they did was the same as their recent concerts pertaining to the progression of songs and eventual introduction to different uses for their lights.

The first major change came came at Around the World (Harder Better Faster Stronger Remix) when the first “around the world” came and the entire floor lit up with the lights that were placed encircling the entire arena! It was amazing how perfect it seemed. The lights seemed to be the same kind of lights they have as the grid on either side of the pyramid. Watch the video at the end of the post and you will see what I mean. They look white in the video, but the can do every color just as the grid can.

From there on, it was nonstop dancing and French Touch killing everyone’s preconceived notions about what a “show” should be. Because of the extended set time, Daft Punk played (what seemed to me to be, but wasn’t…) an extended version of Too Long. Maybe they didn’t, but I thought it was longer than the Coachella set (I have the full audio on my computer, it was normal). Oh yeah, there was one other reason why it was longer…

The encore. It was amazing. I didn’t think that there would be an encore, and boy was I wrong. For a while, it seemed pointless standing there shouting for what seemed forever, but when the lights never came on, it was apparent that something was going to happen. Eventually they came back on stage and played what people have said was a remix of Music Sound Better With You. Then the new suits came out. They were amazing, and so was the way that they presented them (with the red light leading up to them through the stage. That topped it all off. If there was a question that Daft Punk is the best, there is no such question anymore.

Please, everyone, if you get the chance to see Daft Punk, do not pass it up. It will be an event that you will never forget. Also, if you were there, or have anything to say, leave a comment!

Update: I added a few songs I remembered (re-recognized) were played during the SebastiAn/Kavinsky set.

Continue reading “And I thought Daft Punk couldn’t live up to the hype…”

Daftbastianvinskatatat Concert

Concert Montage

In case you don’t get it (I don’t expect you to), the title is to be translated to be Daft Punk/SebastiAn/Kavinsky/Ratatat Concert. This is the concert a friend and I will be going to on July 21 in LA. Words cannot really express how excited I am about this.

I will start with Daft Punk. I really do love their music. As much as it pains me that they are very close to stealing material and slapping their name on it, I feel that they are innovative in their sampling ways and deserve as much praise as they get. They have succeeded at not disappearing as so many electronic fad artists do. Why? Because they are more than their music.

Daft Punk has become a level of quality in persona and live shows on top of their amazing music that other artists can only strive for. One of the big reasons that electronic music isn’t big in the States is because of the difficulties of putting together entertaining live sets with real visuals. Just watch a YouTube video of a recent Daft Punk concert and you will see that this isn’t a problem for them.

SebastiAn is my favorite electronic artist in terms of music right now. Everything of his, from his albums to his remixes, blows me away. Just read my latest assessment of the Ed Banger crew for more on SebastiAn.

Kavinsky is still a bit mysterious to me. He is the artist who’s music I have heard the least of. I have his two EPs but I don’t feel that they do him justice. His sound is a retro-house electro type thing. Old 80s synths are all over the place in his songs. I like it, but I hope there’s something more for me to grasp at the concert.

Ratatat is the ugly duckling of this group. Not because I don’t like them (I LOVE them) but because they actually play instruments. I’m really looking forward to hearing their very unique sound blasted at me through a huge sound system. To me, Ratatat is a sort of a Dueling Banjos funneled through the electronica scene with a drum machine thrown in for size. I have never heard anything like them, and I love it.

So there you have it, a short assessment of the artists I will see on Saturday, July 21, 2007 at about 9pm. Jealous?

Coachella 2007: Justice

Justice

Anyone up for a French house DJ duo? No, I’m not talking about Daft Punk; I’m talking about Justice. Of the entire artist lineup being pushed by Ed Banger Records right now, Justice is getting the best and most press attention (guess I’m feeding the flame.) Gaspard Augé and Xavier de Rosnay are the current heroes of French house music, and let me explain why.The biggest thing going for them right now is the fact that they sound nothing like any other music out right now. Unfortunately, their sound is probably fairly easy to replicate, but as long as they can innovate and keep evolving their music, they have a solid chance at reigning as house kings pretty soon. So what is this sound that they are pioneering? In my opinion, it is a blending of heavily distorted samples, sick chopped beats, and an amazing balance between repetition and progression through a song. Another comparison to Daft Punk: they are geniuses when it comes to choosing the right samples to sample.Many of you might have recently read/heard of the samples that Daft Punk has used to make their songs. While Daft Punk does credit the artists taken from, after listening to each song and the sample taken from the song, it is fairly disappointing how heavily Daft Punk does rely on these samples. I do not believe that Justice will fall victim to this type of backlash due to the fact that their songs have so much more to them than repetitive samples. Smart.An interesting fact: Justice hasn’t released an LP yet! So far, we only have compilation albums put out by Ed Banger and a single EP from Justice. Their debut album is set to be released in June 2007.At Coachella, it is unfortunate that they will not be playing at night (just rumors right now, no set-list yet.) From what I have seen on YouTube, they have amazingly energetic shows with great lighting. I love it.update: Justice will be playing at 8:30pm, which conflicts with many other bands I want to see…

Justice – Waters of Nazareth

Justice - Waters of NazarethIt really isn’t fair. Chopped up samples that have been distorted and modulated to no end shouldn’t sound this good. Honestly, they shouldn’t be able to get away with this. Enough of the complaining, the point is: Justice hits you hard… in the face. From the moment you press play, you get a noise that makes you wish that you had bought another stereo with just a few more watts; you can’t ever get the bass heavy enough or the volume loud enough.

So, what genre does this three track EP fall into? My personal analysis is that it is a fusion of some kind of electro-clash, industrial, and house. It seems that every synth/sample has been run through some kind of distorting filter that makes it scream with fury, every drum line kicks a little more than anything before, and that repetition is the name of the game. As with many of the artists signed to the Ed Banger record label, Daft Punk seems an obvious comparison. Both are original, progressive, a duo, French, and insanely popular.

Whether this quick claim to fame through an EP is founded in any way is yet to be seen. But please don’t get me wrong; even with only 3 tracks, Justice won’t be leaving my playlists anytime soon.

Justice – Phantom Part I