It’s here. It’s great!
Got 17 free months? Make a Daft Punk Helmet!
A Guy-Manuel de Homem-Christo helmet to be exact. This video made my day, and I love that DIY projects like this exist.
I think that I heard, back around the time of the Alive 2007 tour, that the real helmets cost thousands of dollars to make. Check the link below for a more detailed explanation of how this was done.
Daft Punk: FINAL! -Volpin Props
Boys Noize – Oi Oi Oi
It’s been some time since I’ve reviewed any music (the Neighborhood Fest doesn’t count), so here goes. You might be surprised to hear that this distortion-electro artist called Boys Noize is German. If you aren’t, then you need to do some reading up on modern electro artists (I have quite a bit of stuff written here, just look around). France is all over the house/electro scene right now. Back to the CD.
It’s quite good. DJ Alexander Rihda aka Boys Noize is making music very similar to SebastiAn and some of Justice’s earlier EP stuff. Possibly comparable to MSTRKRFT if they used more effects to rip apart their hard but pristine sound. This album Oi Oi Oi is similar in sound to his already released EPs. It’s a very hard, rough sound that is conveyed through the deep bass hits overlayed by heavily distorted synth riffs. There’s a bit of glitch thrown into the mix too. Look at the album cover (a disco skull), it exemplifies the sound perfectly.
The songs throughout the album start off great. The trouble that I have is that they all don’t amount to something. You can have a great intro with the bass dropped out and slam in with the effects and everything, but the song needs to go somewhere. I feel like trance has a good grasp of the rises and falls, but sometimes the majority of the time trance DJs overdo it (especially in long live sets). Songs like “Don’t Believe the Hype” and “Oh” are really great songs because they have the synths come and go with new elements being introduced through the songs. Songs like “Shine Shine” and “Vergiftet” just don’t cut it for me.
Overall, it’s a really good record, and the remixes that he’s done are amazing as well. Oi Oi Oi doesn’t really measure up to the likes of Ross Ross Ross from start to finish though.
In case you don’t get it (I don’t expect you to), the title is to be translated to be Daft Punk/SebastiAn/Kavinsky/Ratatat Concert. This is the concert a friend and I will be going to on July 21 in LA. Words cannot really express how excited I am about this.
I will start with Daft Punk. I really do love their music. As much as it pains me that they are very close to stealing material and slapping their name on it, I feel that they are innovative in their sampling ways and deserve as much praise as they get. They have succeeded at not disappearing as so many electronic fad artists do. Why? Because they are more than their music.
Daft Punk has become a level of quality in persona and live shows on top of their amazing music that other artists can only strive for. One of the big reasons that electronic music isn’t big in the States is because of the difficulties of putting together entertaining live sets with real visuals. Just watch a YouTube video of a recent Daft Punk concert and you will see that this isn’t a problem for them.
SebastiAn is my favorite electronic artist in terms of music right now. Everything of his, from his albums to his remixes, blows me away. Just read my latest assessment of the Ed Banger crew for more on SebastiAn.
Kavinsky is still a bit mysterious to me. He is the artist who’s music I have heard the least of. I have his two EPs but I don’t feel that they do him justice. His sound is a retro-house electro type thing. Old 80s synths are all over the place in his songs. I like it, but I hope there’s something more for me to grasp at the concert.
Ratatat is the ugly duckling of this group. Not because I don’t like them (I LOVE them) but because they actually play instruments. I’m really looking forward to hearing their very unique sound blasted at me through a huge sound system. To me, Ratatat is a sort of a Dueling Banjos funneled through the electronica scene with a drum machine thrown in for size. I have never heard anything like them, and I love it.
So there you have it, a short assessment of the artists I will see on Saturday, July 21, 2007 at about 9pm. Jealous?