Tag: coachella

Coachella 2008: MGMT

Posted on by mygoodgomez

mgmt_thumb.jpgThe best way that I can describe the music that MGMT makes is “nostalgic.” For a broad audience, this probably isn’t the best adjective to use, but it was the first word that came to mind when I was going through their debut album “Oracular Spectacular.” Now that they’ve gotten relatively big for a brand new indie band (they’ve done Letterman, SXSW, and have two music videos), I’m pretty sure that they are my favorite recently discovered band that I will see at Coachella this year.

MGMT falls into the category of new hipster bands making music that combines punk, electro, and pop. There’s nothing wrong with this, Klaxons won a Mercury Prize for doing the same, but at a certain point, it’s hard to differentiate between the many bands taking up this formula. MGMT has been able to differentiate itself not by progressively pushing the genre’s boundaries, but by perfecting the art of making an old-sounding new style with keyboards, guitars, and drums.

I’m sure that what you just read is probably a cliche description of many bands now-a-days, but it’s the best I could come up with. Essentially, MGMT is a duo with playful sound that captures what the indie-electro-punk-retro style is all about. Their sound might be psychedelic pop, but not so much as Of Montreal. I think just really good music.

This year they will be playing at both Coachella and Bonnaroo, and it’s probably safe to say many other festivals as more and more dates and lineups are announced daily. As for the Coachella lineup, they are part of what make the midline bands amazing this year. If you miss them this year, don’t come crying to me next year when you’re kicking yourself in the butt.

MGMT Videos

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Cochella 2008: Justice

Posted on by mygoodgomez

justicethumb.jpgSo here we are again with Justice. In case you’ve forgotten, I wrote a post about Justice for last year’s Coachella, but way too much has happened in the past year for me to ignore these “third-liners” (they were “bottom-liners” last year).

So what did I say last year about Justice?

Anyone up for a French house DJ duo? No, I’m not talking about Daft Punk; I’m talking about Justice. Of the entire artist lineup being pushed by Ed Banger Records right now, Justice is getting the best and most press attention (guess I’m feeding the flame.) Gaspard Augé and Xavier de Rosnay are the current heroes of French house music.

Back to now: all of the above is still true (and more). These two are still the kings of electro, but they are anything but alone in the genre. This past year we have seen DJs like Boys Noize, Para One (and the rest of the Institubes crew), SebastiAn & Kavinsky (and the Ed Banger crew) all tour nonstop and put out some great remixes. Justice is no longer the unique sounding duo that they were last year, but the release of their debut LP Cross has kept them on top.

Instead of relying on the distorted electro sound that brought them up, Justice has become a genre-crossing mix of disco, electro, pop, and rock. The worldwide phenomenon of electro has contributors popping up all over the globe, and the backlash has been just as great as the support.

This year at Coachella, look forward to a brand new live show (remember last year? they played Cross in its entirety)… Busy P sounds pretty pumped for these guys, and I will not be missing them this year (unless they are pitted against Roger Waters).

Justice Music Videos / Live Stuff

Coachella 2008: Portishead

Posted on by mygoodgomez

portishead thumbIt’s that time of the year again! The Coachella Valley Music & Arts Festival will be held from April 25-27, and after months of speculation, the official lineup has been released. Just as I did last year in preparation for Coachella, I will be reviewing some artists that will be at Coachella. Some of these artists I will be very familiar with, and others I will review after listening to them for the first time. To kick things off, here’s Portishead!

Hailing from Bristol, England, Portishead (pronounced with a hard “s”) has been pioneering the genre of trip-hop since the mid-90s when they released their first album “Dummy.” While comparisons of artists can sometimes degrade one’s opinion of them, I think that Portishead is a mashup of Massive Attack and Everything But the Girl (both of which I love).

Portishead’s most recent release, 1998’s Roseland NYC Live was published with a VHS (the DVD came in 2002). The video was (obviously) a live recording of material from “Dummy” and “Portishead” (their sophomore release) played by a massive orchestral enseamble plus drums, a turntable (possibly Geoff Barrow), and a Beth Gibbons. The shear size of the total number of musicians was astounding and created a sonic quality completely different than Portishead’s LPs.

While I love Portishead and am avidly awaiting their third album (titled “Third”), I can’t help but be apprehensive of their live performance. I doubt that they will put a full orchestra onstage, and downtempo probably don’t make for the best shows. Regardless, the sound will undoubtedly be incredible, and I fully plan on seeing them closing Saturday.

The Coachella 2007 Experience

Posted on by mygoodgomez

Zach De La Rocha @ Coachella

Here is the short version of my Coachella Experience. I’ve tried to organize this in chronological order from Friday to Sunday.Bands

  • Friday Favorites: the Noisettes, Silversun Pickups, Arctic Monkeys, Björk
    • the Noisettes were spectacular, very unique… same goes for Silversun Pickups (sweet drummer)
    • Tokyo Police Club=huge letdown, dissappointing
    • Arctic Monkeys need to move around a bit (physically), but great music
    • Interpol needs to never play music again
    • Björk needed to play forever, I was starstruck
  • Saturday Favorites: Hot Chip, Kings of Leon, the Arcade Fire, the Red Hot Chili Peppers
    • the Cribs needs a wardrobe change, good music
    • Hot Chip wins the “Funnest Show” award
    • MSTRKRFT (and most DJs) need to move around a bit, I know that your Macbook is sweet, but there’s a crowd to entertain
    • Kings of Leon brought the hard rock
    • the Arcade Fire needs a new sound guy (maybe that was Coachella’s fault)
    • Red Hot Chili Peppers needed more BloodSugarSexMagik, amazing light show though
  • Sunday Favorites: Lupe Fiasco, the Roots, Rage Against the Machine
    • Mika should be the lead singer of an 80s hair metal band
    • Lupe Fisaco wins the Grammy (or he should have at least)
    • Against Me! brought some pure punk to Coachella
    • The Roots almost made me cry, up there for best all weekend
    • Willie Nelson should sing more about pot, that one song was hilarious
    • Crowded House should have left the stage after the water bottle incident
    • Manu Chao was overly repetitive, extremely high energy
    • Rage Against the Machine never left, they play as if it’s still the 90s. Amazing. Amazing…

It really is hard to believe that it is over. This event that I have obsessed over for three months has come and gone. It was so worth it, and I will be there next year rain or shine.

Coachella 2007: Manu Chao

Posted on by mygoodgomez

Manu Chao

So the Coachella lineup says that “Manu Chao and the Bomba Radio Sound System” will be playing. Why do I love this? Because the live DVD of Manu Chao is with the Bomba Radio Sound System (they’re his backing band), and that DVD is amazing. It takes the energy of his music from a 6 to an 11. A quick side-note, I will not pretend to know anything about Latin music, so take what I say with a grain of salt.Manu Chao plays a fusion of reggae, ska, and Latin music. I find it to be nothing like anything else I’ve ever listened to; it’s really fresh. Of course, once you take a second to translate the either English, Spanish, or French lyrics he’s singing, you will relize that he is singing about sex, drugs, and running from the police. But please, do not let this make you wary of listening to what he has to say. Like much of Latin music, there is a strong political message through his songs.Live, there are about 15 people up on stage, each playing some sort of instrument or providing back up yells and vocals. I will definitely be in the crowd dancing to this awesome mix of sounds (right before Rage Against the Machine, of course.)

Coachella 2007: Justice

Posted on by mygoodgomez

Justice

Anyone up for a French house DJ duo? No, I’m not talking about Daft Punk; I’m talking about Justice. Of the entire artist lineup being pushed by Ed Banger Records right now, Justice is getting the best and most press attention (guess I’m feeding the flame.) Gaspard Augé and Xavier de Rosnay are the current heroes of French house music, and let me explain why.The biggest thing going for them right now is the fact that they sound nothing like any other music out right now. Unfortunately, their sound is probably fairly easy to replicate, but as long as they can innovate and keep evolving their music, they have a solid chance at reigning as house kings pretty soon. So what is this sound that they are pioneering? In my opinion, it is a blending of heavily distorted samples, sick chopped beats, and an amazing balance between repetition and progression through a song. Another comparison to Daft Punk: they are geniuses when it comes to choosing the right samples to sample.Many of you might have recently read/heard of the samples that Daft Punk has used to make their songs. While Daft Punk does credit the artists taken from, after listening to each song and the sample taken from the song, it is fairly disappointing how heavily Daft Punk does rely on these samples. I do not believe that Justice will fall victim to this type of backlash due to the fact that their songs have so much more to them than repetitive samples. Smart.An interesting fact: Justice hasn’t released an LP yet! So far, we only have compilation albums put out by Ed Banger and a single EP from Justice. Their debut album is set to be released in June 2007.At Coachella, it is unfortunate that they will not be playing at night (just rumors right now, no set-list yet.) From what I have seen on YouTube, they have amazingly energetic shows with great lighting. I love it.update: Justice will be playing at 8:30pm, which conflicts with many other bands I want to see…

Coachella 2007: Circa Survive

Posted on by mygoodgomez

Circa SurviveLet me point out firstly how odd I find it that Circa Survive is even playing at Coachella (a post-hardcore band amongst the indie/electro-nation?) That said, I really do live Circa Survive and don’t have a problem with them playing.The Circa Survive arises some odd feelings in me, so I will first go over the history that I know of. The band started after the lead singer, Anthony Green, left a little band named Saosin (where he was also the lead singer.) He left on very odd terms. At an airport, while he was waiting for his next flight to go meet the guys of Saosin, he called to let them know that he had a change of heart decided that he didn’t belong anymore. Saosin has since moved on to singer Cove Reber.Leaving the drama behind, Anthony Green is what made/makes both bands what they were/are (but Cove was a good replacement.) His voice is very powerful and ethereal simutaneously; it really is amazing to listen to. He can hit notes that other punk singers only dream of being able to hit without tearing apart their vocal chords. His singing style is fairly agressive, meaning that he does scream… but only once in a while. He is not a scream singer in any way shape or form. To put is simply, I love Green’s voice.Circa Survive has released only one studio album to date, but a new LP is due very soon. Their sound is very open and ambient. The guitar ruffs aren’t choppy; they fade off into the distance being overlapped by the oncoming riffs. The vocals do the same. Their song construction is anything but conventional. While most songs do have the verse/chord progression, the many variant Circa takes on this makes for a nice change of pace. It will be very interesting to see where the new LP takes Circa. It might launch them to where Saosin is now, above Saosin, or it could mark the end of a fairly new group.Sorry for the constant Saosin comparisons, but Saosin is one of my favorite bands right now…

Coachella 2007: Peaches

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PeachesPeaches will rock you so hard that every concert you go to afterwards is just cakewalk. Peaches is the hardest girl in electroclash, no, make that the entire universe. Just listen to her music, and while it might be kinda hard not to be offended, you will soon realize that you have never heard anything like it before.Before I get to her lyrics, let’s tackle her beats first. Drum machines run when they hear her name. Her sound is comprised of drum machine patters, guitar riffs, and distorted synths layered all over each other. It’s repetitive and grabbing at the same time.Now on to her lyrics. Sexist? Erotic? Nonsense? Genius. The sex that she screams makes wil.i.am’s music sound like the words of God. The persona of Peaches is gender confused, and this is blatantly obvious in the lyrics of songs such as “Tent In Your Pants” and “Boys Wanna Be Her”.

How do you do that cool dance?Baby don’t split those hot pantsI got these moves that we can do to and singI don’t look too good in pinkI used to slash myself upI like to play it toughCuts, bruises, blood oozes, bones breaking roughYou gotta handle that stuff

Oh, and did I mention that that song is a collab with Iggy Pop?! Because it is…With lyrics as repetitive as her drum machine beats, it’s no wonder that her cult following of fans knows every single word in her songs and screams them at the top of their lungs at every show. Energy is guaranteed. But please, be aware that the explicitness of her lyrics outdo even Marilyn Manson.

Coachella 2007: Red Hot Chili Peppers

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Red Hot Chili Peppers Heads

The Red Hot Chili Peppers have been a staple in my music collection from as far back as I can remember (not of my own volition in the beginning.) Their great amalgam of funk metal, punk, rap, and pop makes a sound unique from anything around them throughout their current 24 year career. While their first two records didn’t do too much regarding chart success, from Mothers Milk on, success has followed them wherever they go.I want to spend the most time on album #5: Blood Sugar Sex Magic. My favorite album, and judging from chart success, may other’s as well. Having been produced by Rick Rubin, it almost seems obvious that it would be an amazing record, and having sold 12 million copies worldwide, there is no doubt that this is one of the greatest rock albums (of all time). This album is pure energy and fun. Heavy bass emphasis puts funk at the forefront of the record with Anthony Kiedis’ rap sharp and powerful lyricism. “Give it Away” and “Under the Bridge” are two amazing singles that showcase the creativity put into every song on the record.Moving on to the following albums, Californication was an even larger chart success than its predecessors with singles like “Californication”, “Scar Tissue”, and “Parallel Universe”. To date, it has sold 15 million copies. Californiation allowed RHCP to basically clean up at the 2000 MTV VMAs (and win a few Grammys at the same time.) Skipping past By the Way, which is another great record, we arrive at Stadium Arcadium.So much hype surrounded this album that I didn’t think that it could live up to what it was supposed to be, and in my opinion, it didn’t. There is no denying that the amount of awards that Stadium Arcadium has garnered speaks volumes about its success as a pop album, but I feel that RHCP left their sound behind them and replaced it with some cotton candy and bubblegum. I don’t feel that it’s a bad album, I just hope that they play more than Stadium Arcadium at Coachella…

Coachella 2007: Björk

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Bjork HeadshotMany people have called David Bowie a chameleon, but he is nothing compared to Björk. She has gone through many transformations both physically (how she looks) and sonically (how her music sounds) since her solo debut in 1993 with Debut. Being from Reykjavík, Iceland, her accent and tonal voice goes against nearly all of western culture’s pop sounds. Here is the progression of her sound though each successive album:

  • Debut: A very expansive album, probably more-so than any of her following albums. It contains a mix of dance, earthy, new age, beat-centered songs. The beat-driven aspect is a vein or theme that does run through all of her music.
  • Post: More abstract. Just listening to the opening tracks “Army of Me” makes it obvious where she wanted to go with this new album (following the platinum Debut.) Possibly a bit darker… just a progression. Björk describes it as being more “extreme”.
  • Homogenic: My favorite album. This album is definitely in my top 10 of all time. The beats are much more pronounced, scattered, and massive. Homogenic just has an epic sound to it. The song Pluto (2nd to last track) has become the song for her to perform and/or close with. Its griding and distorted synths, vocals, and beats make it raw and brutal. “Emotionally, this album is about hitting rock bottom and earning your way up. So it’s the darkest album I’ve done emotionally, but it’s got a lot of hope.”
  • Vespertine: Much softer. The sound that characterizes Vespertine is very angelic. “Vespertine is sort of a winter album for me. I think Homogenic was very summer, very hot, burning desert.” It has a light sound that seems to float away.
  • Medúlla: When it was released, Medúlla received quite a bit of backlash. It was Bjork going against what her fans had grown to know and love: beats and synths. It didn’t matter whether hard or soft, but beats and synths combined with her other-worldly vocals are Björk. Medúlla has nothing other than human voices on it. Being fairly new to Björk when Medúlla came out, I enjoyed the sound. It is her most different album so far. It pushes our voices as instruments to their limits.
  • Volta: Yet to be released, the sound of Volta has been revealed only through interviews with Björk and a leaked track titled “Earth Intruders”. Volta is said to be very brass centered. Björk collaborated with quite a few artists for Volta, including Timbaland. We’ll see how it turns out, but “Earth Intruders” is amazing to say the least.

So that basically wraps up Björk as an ever changing artist. Just go look at some pictures of her, and you will realize what I mean when I say that she is a chameleon. She is truely a musical genius who has remained relevant through the fickle tastes of pop culture that are constantly changing.