The Horrors make me blend in

Posted on by mygoodgomez

The Horrors

Fuckin hipsters. It’s their fault that I’m one who blends into the crowd. Too bad I listen to their music.

Just look at that picture for another second. Where do you get the idea to dress/do your hair/put on makeup/etc… like that?! It’s a damn good thing that The Horrors play amazing music, or else they’d slip under my hipster radar like so many others do. Maybe it’s something in the British blood. If that’s the case, I’m nothing but screwed.

So, back to the music. The Horrors play a mixture of lofi indie garage punk. The sound quality is equivalent to The White Stripes, but their style is closer to the punk bands of about 20+ years ago. Need something more recent as a comparison? Think Klaxons sans electro plus scenester clothing.

What makes the Horrors different from any other band in the British punk wave going on right now? For me, it’s the electric organs. Nothing is too complicated with the Horrors, and nothing about them pretends to be (other than their hair). Their chord progressions are repetitive, as are the organ riffs, drums, and vocals. They are simple, original, and … they have really tight jeans.

Success is coming to the Horrors as of now. Their latest (and first) LP Strange House has received very good reviews that basically agree with everything that I’ve said thus far. Check them out.

Why is Blockbuster’s influence so huge all of a sudden?

Posted on by mygoodgomez

Blockbuster LogoLast time I checked, everyone had crossed Blockbuster off of their list of companies that matter. I thought that it’s recent attempts to make a showing in the online movie rental sector was a joke. As of late, it seems that my assumptions were wrong because every tech blog has been pronouncing the victory of BluRay over HD-DVD as a result of Blockbuster’s recent announcement that it would be adoption BluRay over HD-DVD.

Don’t get me wrong, I was BluRay to win this standards war. I believe that Sony’s PS3, while the most expensive, is the best “next-gen” console. I believe that it is years ahead of the Wii and of the Xbox360. But that argument needs to be saved for another day. Apart from the console wars being waged right now, BluRay is just the better format.

Has everyone forgot about Netflix? The one company that has risen above just being a “geek’s only” secret you shared with only your best friends. It’s public and normal people use it without a problem. Just for a second, think about what would happen if Netflix adopted HD-DVD. Obviously, Blockbuster is the larger of the two companies, but it is also falling much faster than Netflix is rising. If there was a coalition of sorts made of up every movie rental company/organization against Blockbuster’s adoption of the format, it could mean the end of both BluRay and Blockbuster. Of course, this won’t happen, but the Netflix situation certainly could.

Just playing Devil’s Advocate here, but just think for a second about the contradiction of your past words and current assumptions. As usual, only time will tell…

Apple WWDC 2007 Keynote

Posted on by mygoodgomez

Mac OS X Leopard Disc

Of course anything that happens regarding Steve Jobs will make the tech blogs, but yesterday was a big day in the life of a newly converted Mac user. It was the start of WWDC, and as usual, Jobs gave his keynote as an opening act. Also as usual, there were massive rumors circulating both forums and blogs alike, some rumors came true, other fell back into the “save for next Apple event” pile. Here are some of the things announced today and my take left along side of them:

Mac OS X Leopard

  • leoparddesktopicon.gifDesktop: We have a new dock and semi-transparent top bar. The new dock is definitely nice with the Stacks feature, but listing a semi-transparent bar as a feature? What’s up with that? If Jobs would have skipped the bar and focused solely on the dock, I would be much more pleased. Either way, the new dock is a definite improvement. It’s a step in the left direction.
  • leopardfindericon.gifFinder: This is where I am most excited for Leopard. The finder has a whole new way of browsing through the files and folders located all around your hard drive. New icons that mimic the file/folder contents, new Cover Flow view, and and improved searching with Spotlight all excite me. I believe that Core Animation will be integrated somehow into the new Finder features which would make this new explorer even prettier.
  • leopardtimemachineicon.gifTime Machine: Nothing really new, but Time Machine looks nice. Admittedly, it is just a backup program with a pretty GUI, but what’s wrong with that? Having it integrated into my OS is very welcome.
  • leopardspacesicon.gifSpaces: Again, nothing new, but this is probably my second favorite feature coming to Leopard. This makes it OK for those of us who can’t fit four screens on our desks. It looks like it will have very intuitive integration into everyday use, and with the rapid increases in RAM size and decrease in prices, more programs are going to be open more of the time. One screen can’t really handle that without something like Spaces.
  • leopardichaticon.gifiChat: A few new things make this simple text/audio/video chatting program even more appealing. You can now show your the people who you are chatting with your presentations, slideshows, or other things not pertaining to your face. Nice new features, nothing shocking though.
  • leopardbootcampicon.pngBoot Camp: We all knew that Boot Camp would be integrated into Leopard, and although we were hoping that Apple would make it into a Parallels/VMware killer of sorts, Jobs presented it as a complementary product to these two others. The new Boot Camp will allow quick switching between your different virtual machines. Small update.
  • leopardfrontrowicon.pngFront Row: It will look like Apple TV, that’s nice… I guess. I don’t really use Front Row right now, maybe I will next year at college. This new interface doesn’t affect me too much.

iPhone

  • 3rd Party Apps: No SDK, only web apps. Apple needs to learn that, although first-party limitations have worked thus far, competitors are coming in on all sides. Seeing as Apple is entering into a brand new market that already seems saturated with carriers and phone makers, being locked into the Cingular/AT&T contract sucks big time. Only web apps really hinders the capabilities for others to develop kick-ass applications.
  • Size Issues: The picture of the iPhone has changed on the Apple website (which has also received a redesign). What is odd is that it now seems MUCH smaller than before. It turns out that after the old and new images are compared and the new one is vertially stretched, they match exactly. This is some shady imaging on Apple’s part. It looks like Andre the Giant’s hand holding the iPhone where as before it was Mini-Me’s.

Other/Misc.

  • Safari 3 for Windows: I get the point of releasing an Apple browser for Windows. It can be used as yet another point of entry for Apple. It’s too bad that their product sucks. Mac users don’t even use Safari, why would Windows users. If Windows users are to use any browser other than IE (which sucks equally to Safari), they will either use Firefox or Opera. Apple still has a ways to go with this browser. They might want to focus on getting a home-court advantage before going to the visitor’s side.

    Update: Wired has done benchmarks on Safari 3, Firefox 2, and IE 7. Guess what? Apple lied. Safari is slower than both…

  • Games: Another “why?” to me. Now that Parallels is making strides in virtualization with Windows and the integration of gaming on Macs using the Windows OS, why keep producing games for Macs? I don’t think it makes sense on a developer’s side. It makes perfect sense for Apple, but not for EA.

Bonde Do Role parties with their baile funk music

Posted on by mygoodgomez

Bonde Do RoleLadies and gentlemen, we have another entrant into the indie/foreign/dance punk/electro musical niche. Bonde Do Role is a Brazilian baile funk band whose music complements other musicians such as M.I.A. and CSS, and their oversexed attitudes seem to mirror Peaches. Their sound, while not completely unique right now, is definitely uplifting and danceable (seeing as their genre means dance funk).

The band currently consists of MCs Pedro D’Eyrot and Marina Vello, and DJ/MC Rodrigo Gorky. All three bring massive amounts of energy to the already insane beats laid down by Gorky. They have released one EP and one LP so far, both of which clearly state what style of music they are aiming for. Their LP With Lazers is right alongside of CSS’s Cansei de Ser Sexy in terms of music made with fun in mind. Mild singing, loud yells, and lyrics in a language I don’t understand are all pluses for me. While other dance punk acts are coming to the point of breaking into the mainstream market, Bonde Do Role is sure to stand out and make it past the “Pitchfork hype” which seems to come and go with the tides…

New iPhone ads are simple in true Apple style

Posted on by mygoodgomez

Apple iPhoneI will confess, although I am no Apple-fanboy (yet), their commercials and advertising practices are truly impressive. If I owned a business, I would kidnap every person on their PR and marketing teams. Like many, I was very disturbed by the iPhone ads that were recently shown of about a million famous people saying “hello?”; they were annoying, repetitive, and didn’t tell me anything about this supposedly revolutionary device. Now, after seeing the new iPhone ads, I’m glad that Apple has returned to their minimalistic style.

These new ads are very basic in nature. What do they show? How to work the device. Through clever workflow ideas (Calamari) they display the ways that the iPhone can easily switch from and to each different function in-between sessions. The narrator is soothing, the music appropriate, and the visual part is as simple as it can get: a hand holding an iPhone. Then again, it does have one level of complexity at times; its that damn second hand.

That second hand is going to be a big problem for Apple. The fact that the iPod is completely functional is one hand is amazing (but this attribute is repeatable). June 29th is the launch date according to these commercials. Continue reading “New iPhone ads are simple in true Apple style” →

SebastiAn’s Rage remix is pure joy to my ears

Posted on by mygoodgomez

SebastiAn DJ

Please, before you read anything here, click on that link below and listen to the song. It is a remix of Rage Against the Machine’s Killing In the Name Of by SebastiAn.

http://www.zshare.net/audio/1843902427628a/

Now that you have been blown away by yet another artist signed by Ed Banger Records, let me elaborate on my feelings/reactions to the song. Let me begin by saying that I love Rage Against the Machine (RATM). You probably know this if you have read any other stories here about RATM (notably at Coachella). Secondly, I love SebastiAn. Ross Ross Ross is a record that I can listen to start to finish and love every track on it.

In no way, shape, or form is turning a funk metal track into a dirty electro track an easy task. But somehow, SebastiAn does exactly that without compromising the track’s original style or his goal of making an amazing electro song. Even though the lyrics are replaced by different sources (there are only 6 lines of lyrics in the original song anyways), the sources he uses are very fitting, complementing the track throughout. The distortion is appropriate and calculated. Thank you SebastiAn for making one of my favorite metal rebellion songs into a great electro track. I hope to hear it played at the Daft Punk/SebastiAn/Kavinsky concert I will be going to in LA next month.

Yottamusic rescues Rhapsody (for me)

Posted on by mygoodgomez

Yottamusic LogoAs I am a new convert to the amazing OS X via my Macbook Pro, I have been going through the process of discovering which apps that I love do/don’t work on the OS. Many do work, contrary to popular thought, but one such app that does not work is Rhapsody.

After realizing that there is no way that I could ever afford to buy all of the music that I wanted from Apple’s iTunes Music Store, I stepped into the world of subscription music services. After trying out just about every product on the market, I have come to the conclusion that Rhapsody is the best by far. Now imagine my dismay after learning that Rhapsody is a Windows only app! I was so disappointed that my favorite music discovery application was gone forever. Luckily for me, a few Google searches after getting over my sadness, I discovered Yottamusic.

Yottamusic seems (at first) to be just another subscription services sans a desktop application. It was the little note that says that Rhapsody users need not register that excited me. Yotta turned out to be an amazing service that uses the Rhapsody music library as a back-end and some great AJAX in the front-end to create a very sleek user experience. The best way to describe it would be to say that it is the Web 2.0 makeover of a service trying so hard to get out of the 1.0 stage.

Yottamusic works with many different browsers, and if you happen to be using one that they don’t officially support, they let you know immediately (but that doesn’t mean that your browser will be shut out). I understand that Rhapsody’s web service works with Firefox on OS X, but it’s interface and design is very sluggish and unintuitive. Yotta is its younger, edgier sibling that has all of the unnecessary bells and whistles left in the dust. If you do nothing else, check out the Intro Comic that they have to describe their product.

Update: Yottamusic has been shut down by Rhapsody. Replacement? Mog.

Justice – †

Posted on by mygoodgomez

Justice - † This might be completely ridiculous on my part, but I still haven’t decided (for myself) whether Justice really is Christan or if they are just playing the part. Now as to this new LP coming out in about a month titled “†”, I think I might have found a bootleg floating around somewhere, and I might have a review right here for you! A song by song review can be found about 1 centimeter below:

  1. Genesis (7/10): A nice opening track. The intro to the song was what they opened Coachella with (I believe). The beat is strong throughout, it could have done with a bit more variation or development of the samples used. Good track, not their best.
  2. Let There Be Light (8/10): Once again, good track. I’m glad that they put one of the tracks that develops with an industrial edge right up front on the record. This track was released on the Waters of Nazareth EP.
  3. D.A.N.C.E. (9/10): The current single floating around right now. Probably the most catchy song to be found by Justice. I don’t know where they found this sample, but it is genius. The way that they can mix a catchy beat perfectly with a chopped vocal sample is amazing. Hints of disco or funk tidbits begin to show themselves here.
  4. New Jack (6/10): This song just doesn’t do too much for me. The samples seem too mix/matched; there isn’t any continuity among them. It has all of the driving forces that Justice is known for, but their choice of samples here falls short. The warble comes in at an inappropriate time, and it stays too long. Not a fav.
  5. Phantom Pt. 1 (10/10): Following New Jack with Phantom Pt. 1 brought my spirits up. Phantom Pt. 1 was released on the D.A.N.C.E. EP, and it is by far my favorite track on †. Just turn it up in your best pair of headphones, and you will see why I say this. Talk about a rockin’ electro track. The sample used here has been identified as being from Goblin’s Tenebre. After comparing the original track to Phantom Pt. 1, it is safe to say that this is in no way a rip off of another artist’s work. The sample has been chopped to pieces and put together in a truly Justice-esque manner.
  6. Phantom Pt. 2 (9/10): The first time listening to this track, you will probably be confused. It seems overly random. The good news? Once you actually get the tune, this song rocks. It carries over the industrial overtones of Pt. 1 and adds some disco flavor into the mix. Great track.
  7. Valentine (7/10): “Valentine”, to me, seems like a very long intro to “The Party”. It is a good track, but doesn’t seem to serve much of a purpose. It’s stuck in here. Not needed. Also, is it just me or does it sound like they sampled Britney Spears’ “Me Against the Music”? I speak of the airy noise at the beginning. I know it could come from anywhere, it just that it reminds me of that song.
  8. The Party (7/10): A song with actual lyrics that don’t sound like they are sampled (because they aren’t). I’m not sure who sings, but the lyrics are meant for a party song (hence the title). The problem is that there isn’t too much music to go along with the fun lyrics. The music seems like a continuation of “Valentine”. It could use a bit more of a kick. Sounds like Three 6 Mafia is sampled here.
  9. DVNO (6/10): While so many people are praising the vocals of this track, I can’t stand them. Don’t get me wrong, I don’t reject vocals off the bat if they are falsettos. I reject them if they don’t sound good. Compiling this problem is the fact that they drop the music out in the middle of the track; now I have nothing to distract me from the horrible vocals. The music itself isn’t half bad. It’s a mixture of their signature distorted beats and disco stabs. Least favorite track on the record.
  10. Stress (8/10): The title of this song is really evident is the music. The tension of the song is heightened by the high pitched strings that can be heard throughout the track. I really do like this song though. The last strands of disco are evident here. They are minor, but they contribute all the same.
  11. Waters of Nazareth (10/10): Second favorite track on the record. This was the first song by Justice that I ever heard. After hearing it, I had Justice categorized as an industrial group. Definitely wrong. This song rocks from start to finish. The distorted samples kill your ears without relenting for a second. If you can’t stand the first 10 seconds, get out, the song just compiles on top of itself from there on. Pure electro joy.
  12. One Minute To Midnight (9/10): A great closing track; “One Minute to Midnight” closes much better than “Genesis” opened. A slight downer track with a sweet baseline that makes you rock back and forth. It lets you calm down after the massive electro explosion that happened during the previous track. Continuous and true to Justice, it is a nice way to end this musical journey.

† is set to be released on June 11, 2007 on Ed Banger Records.

Linkin Park – Minutes To Midnight

Posted on by mygoodgomez

Linkin Park - Minutes To Midnight CoverYou ask for my guilty pleasure, and I will respond Linkin Park. I have loved them since Hybrid Theory; although I admit that I didn’t get “Crawling” the first time I heard it. This “nu-metal” sound wasn’t something that I was hooked on. Korn and Limp Bizkit were nowhere to be found in my music collection. Looking back at a time when pop music was *NSYNC or Britney Spears, Linkin Park offered me my first taste of what breakbeat or turntablism or metal or anything in between might be. In no way am I saying that they are the epitome of any of these styles, but with tiny bits thrown in here and there, teen angst and a tad of electronica struck a chord in my musical soul.

Now to this album, or how it compares to LP’s previous two. Let it be known that I had high expectations for Minutes to Midnight. I loved the complexity of Meteora when compared to Hybrid Theory, but Hybrid Theory‘s raw edges drew me in too. Alongside the many critics and fans of LP, I believed that the rapping needed to find a different place after Meteora was done. Here, it has done just that. It is only featured in two or three tracks (but only one of those benefit from it).

Let’s start with my favorite tracks: “Given Up”, “Bleed It Out”, “No More Sorrow”, and “Shadow of the Day”. If you have listened to the album, you will know that all but “Shadow of the Day” are fairly heavy, fast paced songs. “Bleed It Out” is the above-all winner on this CD. It does feature Mike’s rapping (with profanities, see the PA sticker?); it is a showcase of what LP is. It has a very long buildup, but the slow addition of instruments as the song builds makes the climax even better. “Shadow of the Day” is the track that I feel shows the maturity of LP the most. It is slower, and its calculated nature is impressive to say the least.

The pacing of the album seems to have some rhyme or rhythm until the pattern of fast song/slow song goes on one too many times (around track 7: “Hands Held High”). Then we hit “Valentines Day”, and any hope of another fast-paced hard rock song is lost forever; this track sucks. The biggest disappointments are “Hands Held High” and “The Little Things Give You Away”. Why would anyone pick this song to close their “mature” album? It’s slow, cliche, and boring.

As to the criticism that LP has diluted their material with ambient electronic landscapes, I have no idea where those ideas are coming from. Meteora was the electronic album. Minutes to Midnight is the rock album. Minutes to Midnight is a good album, but I don’t feel that it is the best album that LP could have put out right now. It’s a tad disappointing, I really wanted my next guilty pleasure album…

Bono still thinks it’s everyone elses fault

Posted on by mygoodgomez

AIDS Red RibbonThe essence of this news story by Reuters is that Bono still thinks that the richest countries around the world aren’t doing their part in the search for the cure of AIDS. Bono thinks that these countries (the United States, Japan, Canada, Britain, Germany, Italy, Russia and France) still have a long way to go in terms of their due responsibility of aid to Africa’s poor.

My turn. I think that Bono needs to stop flapping his mouth. It seems like nothing he says is constructive, and if he does try to throw in some original ideas, they are either unfeasible or plain ignorant. Eradicating HIV/AIDS is an ambition goal that hopefully will one day be overcome, but diseases that are based so much on human behaviors can’t be cured simply by an injection or treatment. As long as stigmas like the idea that a man infected with AIDS can be cured by having sex with a virgin are in existence, these diseases will continue to spread. Continue reading “Bono still thinks it’s everyone elses fault” →